Giuliano bugiardini biography wikipedia
He was born and was mainly active in Florence. He was a painter primarily of religious subjects but he also executed a number of portraits and a few works with mythological subjects. Giorgio Vasari, in his Lives of the Artists, devoted a biography to Bugiardini in which he claimed the artist began his career under the sculptor Bertoldo in Lorenzo de' Medici's famous sculpture garden near the convent of San Marco.
It was probably there that Bugiardini met the young Michelangelo, with whom he'd remain friends throughout his career. In the early s, both artists joined the workshop of Domenico Ghirlandaio, where they were trained in the art of painting. Bugiardini was an independent artist by , the year in which the joined the Florentine painters' confraternity the Compagnia di San Luca and formed a business partnership with Mariotto Albertinelli.
Pittore e progettista, Bugiardini era un manierista fiorentino.
The partnership was dissolved in , when Albertinelli rejoined forces with his previous partner, Fra Bartolomeo. Bugiardini remained close with both artists and even completed several works left unfinished by the latter, including the Abduction of Dinah Vienna, Kunsthistorisches Museum. In , Bugiardini, Agnolo di Domenico del Mazziere, Francesco Granacci and other artists were called to Rome to assist Michelangelo with the Sistine Chapel ceiling, but their services were quickly rejected and the team was sent back to Florence.
Bugiardini's friendship with Michelangelo was, however, enduring. Bugiardini also painted Michelangelo's portrait Florence, Casa Buonarroti.
Giuliano Bugiardini (January 29, – February 17, ) was an Italian painter and draughtsman working in the late-Renaissance style known as Mannerism.
Bugiardini was active in Bologna in the second half of the s. Most of these works are signed. By Bugiardini was back in Florence. His activity seems to have dwindled in the following decades, and in he died in his native Florence. Bugiardini has long been criticized as a mediocre talent incapable of understanding the formal principles of Michelangelo, Raphael, Leonardo and Fra Bartolomeo, all major influences on his work.